DOUG HOLDER REVIEWS “HOW TO TRAIN A ROCK”
Doug Holder is a local (Somerville) poet and literary figure of great renown. Co-founder of The Bagel Bards, a literary community that meets (and eats) each Saturday morning at the Davis Square Au Bon Pain, Doug took a few minutes from his busy schedule to cast his reviewer’s eye upon “How To Train A Rock”. Note of full disclosure: Doug is a friend of the author.
Rick Moody, successful novelist and chronicler of the American zeitgeist (“Garden State”, “The Ice Storm” and “Purple America”) took a few moments to speak with us. Rick is one of the featured notables at the Somerville News Writers Festival, Saturday, November 14th. Keep an eye out for his latest novel, a comedic work titled, “The Four Fingers of Death.”
PSS: Tell us a little something of your writing discipline…how do you approach starting a new book?
RM: It sort of approaches me, really. I am somewhat undisciplined. An idea kind of seizes me, usually without much preparation, and then I go into this long period of turning it over in my mind, sometimes for months. Thinking, rethinking. When I finally have time to address it, it has often been marinating for a long time. Six months, maybe, sometimes a year.
PSS: How much of the nascent book is already plotted out in your mind? How much do you rely on your ‘muse’ for guidance or inspiration as the story progresses?
RM: I never plot, at all. I let the story go where it wants to go. And then I assess l the damage during the editing phase.
PSS: I spent 12 years writing my novel, but there were many periods where I took a break—sometimes for months—other periods where I felt compelled to sit at the computer whenever I could get home. How long does it usually take you to complete a novel, or something like your memoir “The Black Veil”? And what is the writing experience like? Does it flow smoothly or are there starts and stops?
RM: Always starts and stops, always periods of despair and demoralization. But some periods of enjoyment and satisfaction too. They have each gone their own way, so there’s no set length of time for composition. THE ICE STORM took 14 months. The new one, the just finished one, took four years.
PSS: I noticed in “The Diviners” that you begin the book with a prologue, titled “Opening Credits and Theme Music”, that runs 12 pages and is essentially a travelogue following the sun as it rushes to rise around the globe. First, do you think it was risky, in the sense of holding onto your readers’ interest, to delay telling your story? Or was the literary or storytelling reward worth taking the risk?
RM: Boy, have I done things more risky than that! People are free to read something else if they find that bit too demanding. They’re probably not going to like the rest if they don’t like the prologue, so it’s a truth-in-advertising approach.
PSS: I must tell you I am in awe of your ability to construct sentences and imbue them with such emotion and cultural richness. Have you always had such facility with words? When did you first realize you had a calling as a writer? How did you learn?
RM: Thanks! I don’t know that I have such facility, but it’s nice of you to say so. And I never really thought of myself as a writer, but just as someone who read a lot and was passionate about books. The writing came out of my love of reading. And the craft of it came not only from the books I’ve read, but from the many, many great teachers I have had.
PSS: Which of your works is your favorite and why?
RM: They all disappoint me. But I have a tendency to like the most recent one, so I like this one I just finished pretty well. It’s a comedy called THE FOUR FINGERS OF DEATH.
John Bach Reviews “Death And Other Incidental Diversions”
“Death And Other Incidental Diversions” is the Third Rock Trick in “How to Train A Rock” by Paul Steven Stone, available on Amazon.com
CAN A STORY COLLECTION
HEAL THE SICK,
CURE THE AFLLICTED?
Tenneshaw, WI—Thousands of journeyers crowd this town’s small village square every afternoon at 2:44 where a natural phenomenon has turned into a daily spiritual event.
Two weeks ago, it was first noticed that the sun, positioned at this point in its day’s passage, sent a beam shining through the window at the HiRiser Bookstore which coalesced through the rippled thickness of the glass and fell on a book cover in a form reminiscent of the Madonna and Child.
The book cover it fell upon was called “How To Train A Rock” by Paul Steven Stone, a collection of Short Insights and Fiction Flights. Up until then, a book that had succeeded in remaining anonymous, undiscovered and unknown.
The first day of the phenomenon the Madonna and Child sunburst was noticed by a few passers by and mentioned in the Tenneshaw News ‘Around Town’ section. On the second day, there was such a large, mostly out of control, crowd that three people were crushed to death. Fortunately, two of the dead were brought back to life by being held against the bookstore window facing “How to Train A Rock”, the first of many recorded miracle cures.
From then on there were numerous tales of miraculous healings—cancers shriveled to nothing, broken backs made whole and straight, cripples dancing in the street, lepers with skin so clear teenagers would be envious. And, one or two resurrections of political careers, it was also rumored.
But then, not surprisingly, time moved on. And, as any astronomy student could tell you, the sun’s passage changes slightly everyday. So there should be little surprise that the quasi-religious effect of the light breaking through the glass at the critically precise moment of 2:44 PM would eventually cycle itself out of existence. And so it did. So that yesterday, two weeks- two days after the Madonna and Child first appeared, they were gone.
Today, a smaller crowd, maybe 15-25 hopeful souls, showed up and hung around the bookstore window where “How To Train A Rock” sits patiently waiting for someone to pick it up and take it home. They stare down at the book and wonder whether any of the Madonna and Child’s healing properties might have melted into the pages of this undiscovered jewel of a book filled with humor, wisdom and unexpected points of view?
“Nah!” the elder of the group decides, eventually leading the rest of the assembly away. “And besides,” he says, asking no one in particular, “how would Paul Steven Stone even know how to train a rock?”
No Way, Jose! But for some strange reason I recently found myself on a Boston Hispanic cable TV show titled, “Fernando’s Hideaway”. Here the lovely Maricela Marrero acts as my guide and translator. Enjoy, amigos!
If you’d like to see the second half of the interview, check out ‘Paul On “Fernando’s Hideaway” Part 2’ on YouTube.com.